"I have always been more interested in experiment, than in accomplishment."
Orson Welles
CAMÕES
_______POSTER_______
This poster is the first in a series promoting famous Portuguese characters.
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CARACAS
_______logo_______
Proposed logo for my native city. Caracas, Venezuela. The fifth most violent country in the world.
A search for beauty in negative spaces.
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AI
____Midjourney + Type___
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Santiago Pol
_____Homage_____
Poster for an exposition at the International Poster Biennial in Mexico about Venezuelan Graphic Designer Santiago Pol.
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MARIA FUTURA
___BAND___
Credits: Logo /Design. COLLAGES by: @amalita
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___Short_FILMS___
At Totuma we tried, at least once a year, to create a personal, experimental, and or seasonal project.
No clients, just us.
We call this series UNTITLED.
UNTITLED #1
"Cortazar lee a Cortazar" or messing around with a MP-E65 camera lens.
Credits: Creative Director/Live Action Director.
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UNTITLED #2
Playing around with water balloons and a (sort of) high speed camera.
Credits: Creative Director/Copywriter/Live Action Director.
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DECONSTRUCTING
MOTION GRAPHICS
I have had the privilege of sharing what I learned by teaching Motion Graphics in ProDiseño, Caracas, Venezuela and at the IED Instituto Europeo de Diseño in Barcelona, Spain.
"Deconstructing Motion Graphics" is a video I made for one of my lessons, a deep analysis on Orson Welles opening sequence for his movie “A Touch of Evil”.
The lesson is in Spanish.
Credits: Creative Director/Teacher.
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#MYFLOR BY TOTUMA
__Rugs Expo during Art Basel Miami__
Rugs are an affordable way to transform a space. Using FLOR rugs as our raw material, and working the rugs like pixel units, we can make almost anything imaginable.
By the end of 2020, Venezuela accounts for 6 million refugees, asylum-seekers, and migrants, remaining one of the world's largest displacement crises.
Most of them travel trough the Maiquetía International airport Simón Bolivar.
This rug mimics the design on the floor airport, an art piece called "Cromo Interferencia de color aditivo" designed by Carlos Cruz Diez.
A reminder of all the good and bad things we left behind.
Credits: Creative Director/Rug maker.
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Cinema Redux
__Totuma ReeL PosterS__
To be able to condense seconds, minutes, even hours of moving sequences into single images is something I find fascinating.
Created in 2004 by Brendan Dawes we eventually find our own way of making this sort of "fingerprints" of our own work.
Credits: Graphic Design.
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Credit: Graphic Design / Collaboration with Santiago Pol.
Here - There
__global refugee crisis Poster__
In 2022, the UNHCR announced that we had surpassed the 100 million mark for total displacement, meaning that over 1.2% of the global population have been forced to leave their homes.
Credit: Graphic Design / Collaboration with Santiago Pol.
Poster qualified to participate in the Main Competition of 28th International Warsaw Poster Biennale.
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___Book_cover___
Typographic proposal for Joan Costa's book "The Poster, multiple art in urban societies"
Credit: Typography / Collaboration with Santiago Pol.
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___party_Invitacion___
A Milton Glaser + The Beatles' Yellow Submarine mash up for my wife Lucy's B-day
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___COLLAGE___
